Tag Archives: The Daily Doof

Making a Runarrito

Last week, I went on one of the weirdest runs of my life.

Before I tell you more, it would make me feel better for you to know be helpful for you to know that I used to run all the time.  I was captain of my last place  all-star high school cross country team, and I did plenty of long-distance running during college.  When I was in shape, it was something I enjoyed.

But then I moved to Savannah, where the consumption of fried things and the ability to legally drink in public are the only two reasons for the city’s massive tourist population.  Thus, as I approach my one-year anniversary of living in Georgia, I am now no more fit to run for fun than the average sumo wrestler.  Sadly, this metaphor doesn’t actually qualify me to be a sumo wrestler, which is probably way more awesome than running.

At the moment, the only way for me to not hate exercise is to listen to pump-up music on my phone while I run; however, I’m afraid to run with my phone.  Dropping, breaking, or losing things is always a major paranoia of mine–I’ve done all three to many phones in a veritable cornucopia of ways that are almost funny.  Almost.

So on the eve of a soon-to-be-strange run, I had a wonderful idea.  I conceived of and birthed a beautiful  brainchild, right in my apartment.  I engineered  a break-through innovation of Jeffersonian scale and brilliance.  I made the world’s first Runaritto.

Observe:

Step 1: Get a bunch of socks. Step 2: Put your phone inside of the first sock, pressing “play” before the screen disappears beneath sock. Step 3: Repeat until you feel comfortable with the amount of sock padding that you have provided your phone. Step 4: Remove all of these socks, because you forgot to plug in your headphones. Repeat steps 1-3.

Fairly pleased with myself, I decided to take the Runaritto for a spin.  After completing Step 4 (see above), I replaced the 7 or 8 socks, pressed play at the top of my “recently added” playlist, and jogged out the door.  My most recent iTunes purchase was “Stronger,” by Kelly Clarkson, for which no-one is allowed to judge me.

I wasn’t gone for 30 seconds before I noticed that the sky was growing pretty dark.  Undeterred, I spun around and strode back to my apartment to the beat of the song,  wrapping my Runarrito in a plastic shopping bag when I got there.  WILL I EVER RUN OUT OF GOOD IDEAS?

About 3 minutes after plastic-bagging my phone-sock-ball and departing from my apartment, the song ended–only to begin once again.  ”Could my phone’s mp3 player be set to repeat?” I wondered, continuing to run along the sidewalk.  I decided not to check for now–perhaps the song got listed twice in the playlist.  Either way, it would take close to 5 minutes to disassemble my Runarrito, and I needed to keep running.  And it’s not like I minded a second listening…

This turned out to be my first bad idea of the day.  Right as Kelly C. forcefully sang that you know in the end the day you left was just my beginning, the sky opened up, rendering any song-changing useless for the rest of the run.  And sure enough, as the song ended for the second time, it began yet again.  I wasn’t even 1/4 of the way done with my route.

Maybe I should’ve turned back.  But I didn’t–what doesn’t kill you makes you stronger, right Kelly?  Maybe I should’ve stopped at the stand-alone liquor store that marks the half-way point of my run and stepped inside to fix my Runarrito.  Before I could enter the parking lot, my pride lept in front of the establishment’s doors, barring the entrance.  Why?  Well, my earbud volume was maxed out, so my song choice would be no secret to the store’s patrons; more importantly, making this adjustment meant accepting my invention’s failure.  This phone wrapped in socks and a wet plastic bag was not a failure.

So I pushed through, attempting to make a game out of memorizing the lyrics as I persevered through the rain and my out-of-shape-induced exhaustion.  Looking back on things, I still have a hard time finding words for my state of mind in the last half of the run–I was extremely annoyed by the song’s repetition, and singing along to distract myself nonetheless.  Maybe it was more than that: in a terribly cheesy way, many of the lines partially fit my absurd situation, even though I was annoyed…

I won’t try to over-think it, but I listened to “Stronger” 15 times on that run.  Hey, what doesn’t kill you makes a fighter.  Swift steps even lighter

You know the bed feels warmer…sleeping here alone…

If you have read posts from my blog in the past, thanks for coming back!  I took a long hiatus while job-searching and doing other things, but I’m back for good now.  Stop by when you get the chance, and tell me what you think if you have anything to say about the music I write about, or my writing itself.  Check back this weekend to see the “Playlists” menu–it’ll finally be fully operational, like the Death Star.  I tried to find a video link to that quote, but all I could find was this stoned guy playing with an Admiral Akbar keychain.

Like this page on Facebook, if you’re game!

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Under Construction

Like Missy Elliot’s 2002 studio album, I found my site in need of some reworking.  Unlike Missy Elliot’s 2002 studio album, I will not “put my thing down, flip it, and reverse it.”

Back in a few weeks with a fresh coat of paint and some fresh new jams.  See you then.

Work It, by Missy Elliot

I don’t get this photo one bit more than you do.

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TTFN

Walking Far From Home, by Iron & Wine

Click to hear the track “Walking Far From Home” on Iron & Wine’s 2011 album, Kiss Each Other Clean.  It’s a great song on an otherwise so-so CD.

Hiatus time.  I will be traveling for the next two weeks to spend time with family and interview for far-away jobs.  So I won’t Doof even semi-daily.

But I’ll be back.  And when I am, you’ll definitely want to check in to see:

  1. The Top 11 Albums of 2011 (I know)
  2. Guest writers from several continents, talking about the culture of music from their homes
  3. An interview with an incredible emerging artist…

Until then!

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I Tried. Know What I Mean?

You Know What I Mean, by Cults

Madeline Follin and Brian Oblivion of Cults, rocking OUT. I want long hair now. And “Oblivion” as my last name.

Sometimes you make promises.  Then sometimes you get bronchitis, and things change.

My Best 11 Albums of 2011 will be ready for the world this week…but it is not this day.  More specifically, it’s gonna be Friday.  My apologies.

did, however, decide on an album that was not going to make the cut on my list.  And while the CD in its entirety didn’t blow my mind, the up-and-coming band that produced it shows some incredible promise and talent, as well as a really unique sound that holds both antiquated melodies and post-modern, psychedelic elements at the same time.  You’ll know what I mean.

That was not a pun.

If you like “Know What I Mean,” check out the rest of Cults’ self-titled freshman album, one of my honorable mentions for the Best 11 Albums of 2011 list that doesn’t actually exist in written form quite yet.

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And We’re Back!

You, by TV On The Radio

Fast-forward to 4:00 to just hear the song.  Stop by on Monday of next week to see my favorite records from 2011. Reply with a list of your own, and I’ll send you a CD copy of mine!

This song acts as a preview of what is to come next week: my top 11 albums of 2011!  Yes, I am aware that it is almost April, and that the period of time in which an end-of-year-round-up would have been acceptable has come and gone.

Yet I choose to spit callously into the wind!  Stop by on Monday to see what my picks were, and tell me what albums from last year were your favorites.  If you do, I will send you a copy of my own playlist.  Wink.

Happy Friday!

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The Day, the Dawn, the Darkness Coming On

Hymn #35, by Joe Pug

Fans of Fleet Foxes, The Woods Brothers, Jeff Tweedy, Mumford & Sons, and Blind Pilot will probably want to add this to a playlist or something.

A lot of great new sound came out of SXSW this year.  Joe Pug’s “Hymn #35″ is one of my favorite songs from the festival–it toes the line of deep-end folk, but his vocals are so sincere that you don’t have to be a devout alt-country fan to enjoy it.

Pug’s Last.fm autobiography is really fascinating.  I would link it, but the whole thing is worth a read, and gives his music an even clearer voice.  So I’m including it in the block quotes below.

The day before his senior year as a playwright student at the University of North Carolina, Joe Pug sat down for a cup of coffee and had the clearest thought of his life: I am profoundly unhappy here. Then came the second clearest.

Pug packed up his belongings and drove the longest route possible to Chicago. Working as a carpenter by day, the 23 year-old Pug spent nights playing the guitar he hadn’t picked up since his teenage years. Using ideas originally slated for a play he was writing called “Austin Fish,” Pug began creating the sublime lyrical masterpiece that would become the Nation of Heat EP. 

The songs were recorded fast and fervently at a Chicago studio where a friend snuck him in to late night slots other musicians had canceled. He was short on money, but his bare-boned sincerity didn’t require much more than a microphone and it dripped off of each note he sang.

In May of 2008, Pug played the first headlining slot of his young career to a sold out crowd at Chicago’s storied Schubas Tavern. Two weeks later he released the Nation of Heat EP, which has garnered near-universal critical acclaim and established him as one of the most respected songwriters of his generation. Pug has since played shows with Todd SniderSusan TedeschiKasey Chambers, and James Hunter

Pug released his first full-length album, Messenger, in February 2010. Later in 2010 he went to the United Kingdom and played the main-stage of the Cambridge Folk Festival.

Perhaps I’m biased in saying that this story is awesome: as a recent college graduate with a lot of soul-searching to do on the job front, stories like his are warming to read.  Also, I am madly in love with anything related to Chicago.  But I hope you enjoyed the song and the brief biography.

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Change is Good. Sometimes.

Changing, by The Airborne Toxic Event

These guys are clearly best friends. Look at them fist-bump!

Time for some Spring cleaning.  No, not my apartment (which just reached a whole new level of trashed today, so I’m at the library).  As my site traffic has increased quite a bit, I’ll be making a few alterations to the layout of both the content and the menu navigation over the next month or so.  My goal is to make  new content easier to navigate through and interact with.  I think you’ll like it.  

One of these changes will be obvious as of today: “THE DAILY DOOF” posts will now have more memorable titles than the page subtitle and today’s date.  No more redundancy!  Moreover, the archive will now be easier to go through when you’re searching for specific entries.  A catchy, relevant name will be much easier to remember than, for example, the month, day and year when I wrote about the saddest song ever in the whole wide world.

Get ready for new content as well.  I’m not going to spoil any surprises, but there will be a lot of new stuff to get excited about over the next month or two.  That’s all I can say for now!

Did I really need to tell you all of this?  Not entirely.  But I did need an excuse to use the name of this song by The Airborne Toxic Event.  If you haven’t heard them before, don’t let the COOL indie name fool you: they’re a pretty easy listen.  The video itself, though, is an exercise in racial confusion: all of the white people in the band are rocking out in a mid-20th century bar, playing music for their all-black dance crew to bust moves over while bystanders watch and cheer.  There’s even a step-team sequence.  The band is apparently really down with their dance-and-step crew, fist-bumping and secret-hand-shaking their way into the bar before they perform.

I don’t get it.

Maybe this whole thing was an oversight and not a deliberate artistic choice.  Maybe I’m totally missing some incredible profound point that the director was trying to make.  Maybe I’m black-white colorblind (not a thing) and just fantasized this division.  I do think it’s clear that somebody’s trying to say something in the video, in a really forced way.  Which makes it all the sadder that I have no idea what that ‘something’ is.

The video is far more awkward if you’re aware of its confusing racial politics while watching.  So you’re welcome.

At any rate, it’s a fun song with a name that I selfishly employed because of the post headline it facilitated.  So listen to it!

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THE DAILY DOOF — March 13, 2012

Sol., by Mausi

You'll REALLY like this if you like finding brand-new music, or if you're big on sharing sweet finds. You probably won't like it if you're boring, or you don't like good things.

I’m back, and I have so much to share that I haven’t really been sure about where to start.

Until I found this video while stumbling around on Vimeo yesterday.

The entire piece follows the members of a band named Mausi as they enjoy an awesome vacation in and around the city of Milan.  The song’s sound is incredibly fresh and upbeat–it’s extremely fun to listen to, and it only seems to get more interesting with every revisit.  The lyrics eagerly dance out a loosely framed story of summer travels, adventures, and a fling.  Which might sound generic to some…

…if they weren’t sung in such a refreshing and interesting way.  

The lead vocalist of the group sounds like nothing I’ve heard in recent years.  Her voice is incredibly interesting: its tones are strong, soft, clear and just a little bit quirky–but in a way that broadcasts its sophistication.  It’s atypical to hear a voice this impressively distinctive in a band at such a primordial level as Mausi.  Though my description might not do it total justice, whoever wrote the band’s biography on last.fm was right in saying that the lead singer’s voice seems the kind that probably wouldn’t be out of place in a ‘50s speak easy. It has an effortlessly rich tone.

The videography is also pretty mind-blowing–it’s a must-watch for amateur cinematographers out there.  I’m obsessed with the creative concepts that the guy behind the camera played with here: real-life action shots of Mausi members prancing about or jumping into water are cut by awesome transition shots from Pinocchio, Fantasia, and other Disney movies at the best moments.  The camera slides in and out of soft-focus in the same nonchalant-but-excited way that you often look at the world on a care-free summer day.  Scenes and locations change, people jump around, and the photographer films it all really interestingly.  Aspiring creatives will be excited to see that the whole thing was shot with a DSLR camera.  Awesome.

So pour yourself a glass of lemonade, put on some sunglasses, “DANCE! DANCE! DANCE!”  and listen to this song on repeat.  Mausi made my summer start early.  You should probably just kick-start yours now too.

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THE DAILY DOOF — February 27, 2012

Late, by Kanye West (Late Orchestration)

Kanye West's Not-So-Heard-Of Live Recording is definitely worth a listen. If you like Kanye, of course. Also, the end of this blog post is worth reading...

I’m late to posting today, so I thought I would put up a song reflective of my tardiness.  Hopefully this track also offers you something new.  Sure, “Late” has been around for a while; but Kanye West re-released a number of his songs from the album Late Registration in a rather unusual way–unusual enough for you to check it out if you like him.

This version of “Late” is part of a largely unheard of album recorded live by Yeezy himself, entitled Late Orchestration.  The CD showcases almost every song from Mr. West’s second album in an encore production–recorded live, with a seventeen-string orchestra in the background. In front of only 300 people.  It’s pretty cool.

What makes it even cooler is that all of the songs were recorded at Abbey Road.  The album artwork simultaneously shouts out and toys with the famed Beatles vinyl cover–you know, the one with all four band-members frozen in mid-stride along an Abbey Road crosswalk.  It’s Kanye’s way of audaciously saying (after only his second album) that he was as big of a deal as the Beatles, or that he’s comparable by at least some metric.  Ballsy.  If you don’t like the guy, me telling you this will probably make you hate him more.  If you love him, you’ll be all like “oh, SNAP Kanye!” and then share this collector’s item with everyone who cares to hear it.

The most interesting tracks recorded at this concert (to me) are Through the Wire,” ”Diamonds From Sierra Leone,” and ”Drive Slow.”  These three hits sound really different from their original production in a pretty fantastic way.  Kanye isn’t as good at rapping live on this album as he is today, but again, Kanye fans and music collectors will likely love its freshness nonetheless.  I wouldn’t have used “Late” for this Daily Doof (it’s not the best song at all), but I had to.  I’m late.  PUNS.

But seriously, this is some exotic stuff.  These YouTube videos have less than 1000 views.  It’s been out for a while, but hey–I’ve only been blogging for 2 months.  Check it out, and share if you like it.

GET AT ME AND I’LL SEND YOU A COPY. (bloggerphobic@gmail.com)

UPDATE — I just realized that “Through the Wire” also sounds extremely different from the original album version here because Kanye’s mouth was literally wired shut when he first recorded the track’s vocals (thus the title).  It’s interesting to hear how this sounds beyond the orchestral background.

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THE DAILY DOOF — February 22, 2012

Little Talks, by Of Monsters and Men

Check out the video--it utilizes a hybrid form of animation and real film. Also, there are a lot of huge monsters.

Lookout, world!  Here comes a potentially awesome band.  Of Monsters and Men blew up the indie blogosphere last week with the premier of this video.  Immediately, every fickle indie blogger did their research to see exactly when the band had started performing, so that they could then write that “I’ve been listening to them since last spring, but check out this new song.”  No lie–I read probably 4 separate blogs that said the same thing.  And last spring, Of Monsters and Men had just won a battle-of-the-bands-style contest in Iceland: they were still pretty far from blowing up.  But nobody wanted to admit that they hadn’t heard of the group until more recently…

Sometimes I hate the indie blogosphere.

Thankfully, a few friends messaged me about this video last week.  I might still be in the dark about this group’s new video otherwise–thanks guys!

If you’re a fan of Edward Sharpe & The Magnetic Zeros, you’ll probably love this song–the tone, vaguely rustic sound, and female vocals are a bit similar (I think).  If you haven’t listened to any Edward Sharpe before, check out the songs “Home” and “40 Day Dream” to get your feet wet.  (If you click on the latter link, fast-forward to 1:11 to get to the song itself.)

UPDATE–I was recently told by a number of friends that I’m very behind on the times with this post.  Apparently this song is all over the radio already.  Apparently I need to do my research.  But the video is still worth watching, and if you haven’t heard Of Monsters and Men yet, check them out!

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